Requiems by Giovanni Agostino Perotti and Nicolò Coccon: the requiem mass at St. Mark's, Venice, in the nineteenth century
Kurzformat
Requiems by Giovanni Agostino Perotti and Nicolò Coccon : the requiem mass at St. Mark's, Venice, in the nineteenth century / edited by Jonathan R. J. Drennan - Middleton, Wisconsin , [2024]
1 Partitur (xix, 83 Seiten) : Illustrationen, Faksimiles
-
Basel, Universitätsbibliothek, UBH kk VIII 862
-
Zürich, ZB, Musikwissenschaftliches Institut der UZH, MP 3 250 DREN 1
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| 245 | 0 | 0 | |a Requiems by Giovanni Agostino Perotti and Nicolò Coccon |b the requiem mass at St. Mark's, Venice, in the nineteenth century |c edited by Jonathan R. J. Drennan |
| 264 | 1 | |a Middleton, Wisconsin |b A-R Editions, Inc. |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a 1 Partitur (xix, 83 Seiten) |b Illustrationen, Faksimiles | ||
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| 490 | 1 | |a Recent researches in the music of the nineteenth and early twentieth centuries |x 0193-5364 |v 93 | |
| 500 | |a Preface and critical report in English | ||
| 504 | |a Includes bibliographical references | ||
| 505 | 0 | 0 | |t Messa da requiem a quattro voci concertata |t Introit: Requiem aeternam |t Kyrie |t Sequence: Dies irae |t Sanctus |t Agnus Dei |r Giovanni Agostino Perotti |
| 505 | 0 | 0 | |t Messa da requiem a tre voci con organo |t Introit: Requiem aeternam |t Kyrie |t Sequence: Dies irae |t Offertory: Domine Jesu Christe |t Sanctus |t Agnus Dei |t Communion: Lux aeterna |t Responsory: Libera me, Domine |r Nicoló Coccon |
| 520 | |a "The present edition is the final volume of three. Collectively, these editions form a critical anthology of requiem masses composed by musicians of St. Mark's, Venice over a long period extending from the late sixteenth century to the closing years of the nineteenth century. The featured musicians of this volume, Giovanni Agostino Perotti (1769-1855) and Nicolò Coccon (1826-1903), were maestros at the famous basilica, the former during 1811-55 and the latter from the early 1870s into the 1890s. Despite being relatively obscure today, these individuals heroically preserved and developed the musical tradition at St. Mark's in the wake of Venice's fall in 1797. The two requiems assembled here, for the first time in a modern critical edition, tell something of this transitional moment. Perotti's setting, which originates from the early century, holds strongly to the past and specifically the style of composition practiced at St. Mark's when it was a private ducal chapel during the baroque era. Coccon's requiem, by contrast, originates late in the century and looks to the future, exploiting the rising star of Christian worship, the Romantic organ. Aside from historical interest, this volume offers modern performers two high-quality requiems for choral groups of wide abilities. Although the music was originally conceived for ecclesiastical service, the varied textures for choral and solo performance provide musical interest, whether it be in an authentic sacred or secular environment"-- |c Provided by publisher. | ||
| 546 | |a Latin words | ||
| 650 | 0 | |a Requiems |v Scores | |
| 650 | 0 | |a Choruses, Sacred (Mixed voices, 4 parts) with organ |v Scores | |
| 650 | 0 | |a Choruses, Sacred (Men's voices) with organ |v Scores | |
| 650 | 6 | |a Chœurs sacrés (Voix mixtes, 4 voix) acc. d'orgue |v Partitions | |
| 655 | 7 | |a Requiems |2 lcgft | |
| 655 | 7 | |a Masses |2 lcgft | |
| 655 | 7 | |a Scores |2 lcgft | |
| 655 | 7 | |a Requiem |2 rvmgf | |
| 655 | 7 | |a Messes |2 rvmgf | |
| 655 | 7 | |a Partitions (Musique) |2 rvmgf | |
| 655 | 7 | |a Requiem-Vertonung |y 19. Jh. |2 idsmusg | |
| 700 | 1 | |a Drennan, Jonathan R. J. |4 edt |0 (DE-588)1047764504 | |
| 700 | 1 | 2 | |a Perotti, Giovanni Agostino |d 1769-1855 |t Requiem |f 1829 |0 (DE-588)1346074496 |
| 700 | 1 | 2 | |a Coccon, Niccolò |d 1826-1903 |t Requiem |n op. 538 |0 (DE-588)1346074194 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781987209068 |
| 830 | 0 | |a Recent researches in the music of the nineteenth and early twentieth centuries |v 93 |w (IDSBB)000362643DSV01 | |
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Basisinformationen
Signatur:
-
Basel, Universitätsbibliothek, UBH kk VIII 862
-
Zürich, ZB, Musikwissenschaftliches Institut der UZH, MP 3 250 DREN 1
Ressourcentyp:
Partitur
Titel:
Requiems by Giovanni Agostino Perotti and Nicolò Coccon: the requiem mass at St. Mark's, Venice, in the nineteenth century / edited by Jonathan R. J. Drennan
Entstehungszeit (normiert):
Datum unbekannt
, Datum unbekannt
Erscheinungsangaben:
Middleton, Wisconsin, A-R Editions, Inc., [2024]
Copyrightjahr:
© 2024
Physische Beschreibung:
-
1 Partitur (xix, 83 Seiten): Illustrationen, Faksimiles
Serie:
Recent researches in the music of the nineteenth and early twentieth centuries; 0193-5364; 93
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Inhalt und innere Ordnung
Inhalt:
-
"The present edition is the final volume of three. Collectively, these editions form a critical anthology of requiem masses composed by musicians of St. Mark's, Venice over a long period extending from the late sixteenth century to the closing years of the nineteenth century. The featured musicians of this volume, Giovanni Agostino Perotti (1769-1855) and Nicolò Coccon (1826-1903), were maestros at the famous basilica, the former during 1811-55 and the latter from the early 1870s into the 1890s. Despite being relatively obscure today, these individuals heroically preserved and developed the musical tradition at St. Mark's in the wake of Venice's fall in 1797. The two requiems assembled here, for the first time in a modern critical edition, tell something of this transitional moment. Perotti's setting, which originates from the early century, holds strongly to the past and specifically the style of composition practiced at St. Mark's when it was a private ducal chapel during the baroque era. Coccon's requiem, by contrast, originates late in the century and looks to the future, exploiting the rising star of Christian worship, the Romantic organ. Aside from historical interest, this volume offers modern performers two high-quality requiems for choral groups of wide abilities. Although the music was originally conceived for ecclesiastical service, the varied textures for choral and solo performance provide musical interest, whether it be in an authentic sacred or secular environment"--; Provided by publisher.
-
Messa da requiem a quattro voci concertata
-
Introit: Requiem aeternam
-
Kyrie
-
Sequence: Dies irae
-
Sanctus
-
Agnus Dei / Giovanni Agostino Perotti
-
Messa da requiem a tre voci con organo
-
Introit: Requiem aeternam
-
Kyrie
-
Sequence: Dies irae
-
Offertory: Domine Jesu Christe
-
Sanctus
-
Agnus Dei
-
Communion: Lux aeterna
-
Responsory: Libera me, Domine / Nicoló Coccon
Anmerkungen
Allgemeine Anmerkung:
Preface and critical report in English
Sprache, Schrift:
Latin words
Verlagsbestellnummer:
-
N093; A-R Editions, Inc.
ISBN:
1987209052; paperback
9781987209051; paperback
Identifikatoren
Systemnummer:
991171983714505501
Andere Systemnummer:
-
(OCoLC)1460047687; (OCoLC)1461833774
-
(EXLNZ-41SLSP_NETWORK)991171983714505501
-
(41SLSP_UZB)99117692081405508
-
(41SLSP_UBS)9972910668605504