Sam Falls
Falls, Sam
Kurzformat
Sam Falls / editor: Clément Dirié ; texts: Trinie Dalton, Donatien Grau, David Raskin - Zürich , [2018]
152 p. : ill. ; 29 cm
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Zürich, ZB, Weitere Sammlungen, 2018 C 11041
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Zürich, ZB, Verlagsbucharchiv, VAR 142: 2018:9
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| 100 | 1 | |a Falls, Sam |d 1984- |6 880-01 |0 (DE-588)1037328795 |4 art |4 ive | |
| 245 | 1 | 0 | |a Sam Falls |c editor: Clément Dirié ; texts: Trinie Dalton, Donatien Grau, David Raskin |
| 246 | 1 | 3 | |a Falls |
| 264 | 1 | |a Zürich |b JRP|Ringier |c [2018] | |
| 300 | |a 152 p. |b ill. |c 29 cm | ||
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| 504 | |a Includes bibliographical references | ||
| 520 | 8 | |a This first retrospective monograph of American artist Sam Falls (b. 1984, San Diego; lives in Los Angeles) spans his work from his beginnings in the 2000s to his most recent exhibitions. Following the traditions of Minimalism and Land art, while pursuing a path toward abstraction, his oeuvre has undoubtedly been influenced by nature and the Los Angeles environment in which he lives. His photographs, paintings, public installations, and sculptures display a certain poetry and a rare immediacy. Previously a student of physics, linguistics, and aesthetics, he has long pursued a particular interest in the way in which natural phenomenon such as light, rain, and wind might impact his abstract paintings and sculptures. The idea of a sublime deterioration, a controlled and predicted change on materials ranging from steel to cloth as well as others, creates time-based and hybrid work that forces the viewer to consider not only the final image, but, most importantly, the process of its change | |
| 600 | 1 | 7 | |a Falls, Sam |d 1984- |0 (DE-588)1037328795 |2 gnd |
| 600 | 1 | 7 | |a Falls, Sam |0 (RERO)A027755647 |2 rero |
| 648 | 7 | |a Geschichte 2012-2017 |2 gnd | |
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| 700 | 1 | |a Dalton, Trinie |0 (DE-588)173961940 |4 wst | |
| 700 | 1 | |a Raskin, David |d 1968- |0 (DE-588)142839434 |4 wst | |
| 700 | 1 | |a Grau, Donatien |d 1987- |0 (DE-588)131874683 |4 wst | |
| 700 | 1 | |6 880-05 |a Dirié, Clément |d 1981- |0 (DE-588)1024764192 |4 edt | |
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| 856 | 4 | |3 Titelblatt und Inhaltsverzeichnis |u https://toc.library.ethz.ch/objects/pdf03/z01_978-3-03764-494-2_01.pdf |q pdf | |
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Basisinformationen
Signatur:
-
Zürich, ZB, Weitere Sammlungen, 2018 C 11041
-
Zürich, ZB, Verlagsbucharchiv, VAR 142: 2018:9
Ressourcentyp:
Alte Drucke und Rara
Titel:
Sam Falls / editor: Clément Dirié ; texts: Trinie Dalton, Donatien Grau, David Raskin
Erscheinungsangaben:
Zürich, JRP|Ringier, [2018]
Physische Beschreibung:
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152 p.: ill.; 29 cm
Inhalt und innere Ordnung
Inhalt:
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This first retrospective monograph of American artist Sam Falls (b. 1984, San Diego; lives in Los Angeles) spans his work from his beginnings in the 2000s to his most recent exhibitions. Following the traditions of Minimalism and Land art, while pursuing a path toward abstraction, his oeuvre has undoubtedly been influenced by nature and the Los Angeles environment in which he lives. His photographs, paintings, public installations, and sculptures display a certain poetry and a rare immediacy. Previously a student of physics, linguistics, and aesthetics, he has long pursued a particular interest in the way in which natural phenomenon such as light, rain, and wind might impact his abstract paintings and sculptures. The idea of a sublime deterioration, a controlled and predicted change on materials ranging from steel to cloth as well as others, creates time-based and hybrid work that forces the viewer to consider not only the final image, but, most importantly, the process of its change
Identifikatoren
Systemnummer:
991071686809705501
Andere Systemnummer:
-
(swissbib)212186582-41slsp_network
-
212186582
-
(NEBIS)011247404EBI01
-
(IDSLU)001322677ILU01
-
(RERO)R008832923-41slsp
-
(DE-599)DNB1130796124
-
(OCoLC)975488085; (OCoLC)975894121; (OCoLC)976134566; (OCoLC)976331966; (OCoLC)978521799; (OCoLC)978786810; (OCoLC)979118720; (OCoLC)979278872; (OCoLC)979497336
-
(EXLNZ-41SLSP_NETWORK)991071686809705501
-
(41SLSP_UZB)990112474040205508